Fortunately there is no dogmatic reading of Nietzsche. He would have been disappointed if there were. Yukio Mishima and Gabriele D'Annunzio are his two most striking and compelling descendants, I would say. Presently I am keen on his Japanese reception and his influence on its literature, but have not read anything beyond Mishima there. One book I would like to read on the subject is an anthology,
Nietzsche and Asian Thought. Does he have a worthy heir among philosophers? Perhaps he sufficiently outdid all others.
There is of course the frequently recurring Nordic and Scandinavian aesthetic in his writings, something which I don't think has been sufficiently paid homage too—the Nazis were too literal and fanatical to the point of being a caricature. The Hungarian director Bela Tarr made a movie called
The Turin Horse, which stands as a curious and compelling exploration of his gloomier and more apocalyptic aspects. Artistically, though, it seems that those who draw too directly and heavily from Nietzsche are doomed to pridefulness and self-parody. “One repays a teacher badly if one always remains nothing but a pupil.” It's better to be careful and conservative in one's borrowing. There's only one Nietzsche, and you are not he.